Writing prompt from play write group
October 28, 2005
Art Studio
Harley sits center stage nearer the back of the stage than the front.
Model stands behind it in the shadows, a blanket round her shoulders and puddles on the floor, a helmet on handlebars obstructs a clear view of her.
Cop faces her and it is apparent there is some disagreement taking place.
Four easels are arranged around the bike. Each easel has a stool in front of it.
Two women enter the stage and take up places at easels on one side. A man enters alone and sets up at a facing easel. The artists nod and busy themselves laying in background paint.
Woman 1 Well, it had to happen someday.
#2 What do you mean, what had to happen?
#1 This nude thing, I have never painted a nude, at least a live nude.
#2 You sound nervous.
#1 I am nervous. The last nude I saw besides myself when I forgot I was facing the mirror when I dropped my towel was back in high school gym class when I had to shower in the gang shower one day. Then I only saw the other girls from the knee down. I was afraid to look up because I might stare and there’s no way I wanted to get caught staring so I washed my armpits and got out of there.
#2 Well, you seem to have survived that all right.
#1 Yeah, but this is different. You have to look at the person, I mean really look at her to get the shading and the lines and the colors all right. That means looking closely.
#2. But you won’t know this person. It will just be like looking at a 3D illustration in an art book.
#1 Yeah, right. I wonder what he’s thinking. The new guy. Doesn’t he look like Tommy’s brother, the one got shot at work?..
#2 You’re right, he does. But right now, he’s probably just wishing they’d get this show on the road and you’d stop whispering.
On cue the man calls out
I came here to paint and to paint nudes. I don’t see any nudes. I don’t see any teacher. Is somebody gonna get this show on the road?
Cop answers
Hold your horses. I’m not so sure this show’s gonna get on the road.
Man calls back What’s your problem?
Cop Well, first off, somebody asked me if I’d bring my bike to this art class so people could paint it. I’m a busy man, but I bust my butt to get this bike over here, to get it in here and now there’s no teacher and there’s a naked woman here.
You guys know there was gonna be a naked woman here?
Artists answer Yeah,
It’s an art class.
Cop I’m not so sure this is OK. You guys might be breaking some kind
of nudity law, public lewdness or something.
Girl in blanket speaks.
I ‘m just supposed to sit on your bike, not ride it. I don’t know what your problem is. It’s not like I’m going to take it somewhere or hurt it. Look at me, (she flashes him from under her blanket) You think I’m going hurt your bike.
Cop Cover yourself up. Don’t you have any decency?
Girl replies Listen, they told me I’d get paid $50 bucks an hour to sit on a bike and have people paint me. I’m not a tramp. I’m a college student and I need the money. I’m not going to hurt your bike and somebody’d better paint me and pay me because I gave up some good study time to be here.
Woman #1 in a stage whisper
Do you know who that woman is?
#2 No, but I can’t see her all that well.
#1 She sounds familiar, like I know that voice.
#2 I know what you mean; her voice does sound familiar, but I don’t know any nude models. Do you?
The women stretch and peer toward the voice in an effort to make out who it is.
Man speaks It a quarter after. We’ve got 45 minutes left. Will somebody do something?
Cop holds his hand to his eyes and turns to artists.
That you Bill? I didn’t know you was an artist.
Man Yeah, it’s me Joe. Ever since I got out of the hospital they been telling me I needed to get a hobby, needed to find some way of relaxing so I thought I’d take up painting.
Cop Yeah, that’s a good idea. I remember you were good at that in high school. You painted Miller’s garage that summer and didn’t you win some prize for painting store windows at Halloween?
Man That was a while ago Joe. I forgot all about that.
Cop Did you know there was gonna be a nude here Bill? What would your sainted mother, your sainted wife think, you being here with a naked woman?
Man Joe, now think about it for a few minutes. She’s not going to be a naked woman. She’s a model. That’s different. This isn’t like looking at real live naked women.
Cop Bill, She’s a woman and she’s not gonna have clothes on. How much more naked does she have to be?
Women murmur and voices grow louder and they say to each other.
I know that voice.
Model Listen, if you’re not going to let me sit on that bike like this, (She waves the blanket open and closed) then at least let me sit on the blanket on the bike. You guys can paint the bike and then paint me on the bike without the blanket.
Cop Ladies, Bill, this is a naked woman here. She’s somebody’s daughter. Are you sure you wanna do this? It’s a shameful thing, you ask me.
(Turning to the model)
You’re not gonna sit on my bike no how. I’m leaving and I’m taking my bike with me.
(He wheels the bike off stage.}
Model OK folks, you guys ready? I’m coming out into the light. Time’s a wasting and I’ve got to get back to the dorm. We’ll do this without a bike.
Model (her face toward the floor) walks from the shadows into center stage and allows the blanket to drop a bit around her shoulders. She looks up and a chorus of voices ring out.
Susan May Dougherty. I can’t believe it….
Questioningly, her hands shading her eyes from the glare:
Aunt Mary, Aunt Veronica,,,,,not Uncle Bill?
Curtains drop.